RE is a collective artist’s book aiming to explore how artistic practices can resonate and be represented in the book format. Departing from a shared thematic background, the invited artists have either reshaped an existing project or created something new within the limits and possibilities of printed matter.
RE-ENCHANTMENT
STOCKHOLM: RE, 2022
Editors: Laurens Rohlfs and Mari Mattsson
Participating artist: Brenda El Rayes (SE), Maja Gramstrup Andersen (DK), Dan Brown Brønlund (NO), Ebba Rost (SE), Cornelia Hermansson (SE), Jo Mikkel Sjaastad Huse (NO), Malte Hultgren (SE), Amanda F. Koch-Nielsen (DK)
RE-ENCHANTMENT, the second book published by RE, brings together eight artists who feel, discover and fantasize about their surroundings. An act of re-enchantment as something that heightens our senses or shifts focus from the signal to the embracing noise.
64 pages + poster
Edition of 110 copies
Format: 19 x 23 cm
Paper: Scandia 2000 naturvit 100g, natural paper 100g, transparent paper
Cover: Screenprint on Colorplan Lavender 270g
Poster: Screenprint on newsprint paper
Binding by hand (Long stitch)
Published: March 2022
Language: English
STOCKHOLM: RE, 2022
Editors: Laurens Rohlfs and Mari Mattsson
Participating artist: Brenda El Rayes (SE), Maja Gramstrup Andersen (DK), Dan Brown Brønlund (NO), Ebba Rost (SE), Cornelia Hermansson (SE), Jo Mikkel Sjaastad Huse (NO), Malte Hultgren (SE), Amanda F. Koch-Nielsen (DK)
RE-ENCHANTMENT, the second book published by RE, brings together eight artists who feel, discover and fantasize about their surroundings. An act of re-enchantment as something that heightens our senses or shifts focus from the signal to the embracing noise.
64 pages + poster
Edition of 110 copies
Format: 19 x 23 cm
Paper: Scandia 2000 naturvit 100g, natural paper 100g, transparent paper
Cover: Screenprint on Colorplan Lavender 270g
Poster: Screenprint on newsprint paper
Binding by hand (Long stitch)
Published: March 2022
Language: English
A Dialogue Between Myself and the Landscape
STOCKHOLM: RE, 2022
Editors: Laurens Rohlfs and Mari Mattsson
Participating artist: Annie Holm (SE), Eli Mai Huang Nesse (NO), Sofia Zwahlen (SE), Philip Dufva (SE), Salad Hilowle (SE), Elvira Modesty Mattsson (SE), Soni Sagan (SE), tm (SE), Eirik Falckner (NO), Madeleine Andersson (DK), Malin Norberg (SE), Oskar Enetjärn (SE)
A Dialogue Between Myself and the Landscape is inspired by Ana Mendieta´s thoughts on her earth/body-sculptures (1972-85). As the title suggests, the assembled works in this edition contemplate and experience bodily, political, distant, personal, digital, ever-changing relationships with landscapes.
76 pages + fold-in cover
Edition of 120 copies
Format: 20 x 26,5 cm
Paper: 100g Scandia 2000 naturvit (Inlay), 250g Arctic Silk (Cover), 180g carboard paper (bookmarks)
Published: May 2021
Language: English, Norwegian, Swedish
STOCKHOLM: RE, 2022
Editors: Laurens Rohlfs and Mari Mattsson
Participating artist: Annie Holm (SE), Eli Mai Huang Nesse (NO), Sofia Zwahlen (SE), Philip Dufva (SE), Salad Hilowle (SE), Elvira Modesty Mattsson (SE), Soni Sagan (SE), tm (SE), Eirik Falckner (NO), Madeleine Andersson (DK), Malin Norberg (SE), Oskar Enetjärn (SE)
A Dialogue Between Myself and the Landscape is inspired by Ana Mendieta´s thoughts on her earth/body-sculptures (1972-85). As the title suggests, the assembled works in this edition contemplate and experience bodily, political, distant, personal, digital, ever-changing relationships with landscapes.
76 pages + fold-in cover
Edition of 120 copies
Format: 20 x 26,5 cm
Paper: 100g Scandia 2000 naturvit (Inlay), 250g Arctic Silk (Cover), 180g carboard paper (bookmarks)
Published: May 2021
Language: English, Norwegian, Swedish
PUBLICATIONS
Postcards With Mountains VI
GRUMS: Postcards With Mountains / Martin Eltermann, 2024
With contributions by Julia Boström, Janove Ekstedt, Amanda Ferm, Kajsa Finn, Sofia Kråka, Yi Yang Liu, Mari Mattsson, Katarina Nord, Ivan Nylander, Johan Rasimus, Sigrid Sandström, Miranda Solodovnikoff, Fabian Tholin.
The artists in Postcards With Mountains volume six were asked to choose a postcard from Martin Eltermann’s collection of postcards with mountains, and then make something somehow related to their chosen postcard.
Postcards With Mountains VI
GRUMS: Postcards With Mountains / Martin Eltermann, 2024
With contributions by Julia Boström, Janove Ekstedt, Amanda Ferm, Kajsa Finn, Sofia Kråka, Yi Yang Liu, Mari Mattsson, Katarina Nord, Ivan Nylander, Johan Rasimus, Sigrid Sandström, Miranda Solodovnikoff, Fabian Tholin.
The artists in Postcards With Mountains volume six were asked to choose a postcard from Martin Eltermann’s collection of postcards with mountains, and then make something somehow related to their chosen postcard.
Notes on Ex-Futures
STOCKHOLM: Praun & Guermouche, 2023
Editors: Johanna Gustafsson Fürst and Asier Mendizabal (The Royal Institute of Art, Stockholm)
A part of the series Notes on / Anteckningar om, created by Sandra Praun & Oscar Guermouche.
With contributions by Annie Åkerman, Tilde Björk, Sarali Borg, Leona Cauklija, Zeynep Çolpan, Stella Dieden Richter, Philip Dufva, Viktoria Ekdahl, Axel Gagge, Johanna Gustafsson Fürst, Sanna Håkans, Anna Heymowska, Manju Jatta, Vladyslav Kamensky, Nicole Khadivi, Johanna Kindahl, Olga Krüssenberg, Andrea Larsson, Linnea Lindberg, Sebastian Lindén, Johan Lundborg, Lina Lundquist, Michael Marder, Mari Mattsson, Asier Mendizabal, Kayo Mpoyi, Kristina Nenzén, Christopher Robin Nordström, David Permén, Ebba Rost, Sonia Sagan, Ossian Söderqvist, Erik Thörnqvist, Aex Valijani, Andreas Widoff, Hedvig Wijkström, Sofia Zwahlen.
The term Ex-Futures was borrowed from the Spanish writer Miguel Unamuno who, a hundred years ago, used it to describe the discarded decisions at every juncture in our lives or in history. The concept was applied to a series of conversations, experiments, readings, and excursions led by Johanna Gustafsson Fürst and Asier Mendizabal.
STOCKHOLM: Praun & Guermouche, 2023
Editors: Johanna Gustafsson Fürst and Asier Mendizabal (The Royal Institute of Art, Stockholm)
A part of the series Notes on / Anteckningar om, created by Sandra Praun & Oscar Guermouche.
With contributions by Annie Åkerman, Tilde Björk, Sarali Borg, Leona Cauklija, Zeynep Çolpan, Stella Dieden Richter, Philip Dufva, Viktoria Ekdahl, Axel Gagge, Johanna Gustafsson Fürst, Sanna Håkans, Anna Heymowska, Manju Jatta, Vladyslav Kamensky, Nicole Khadivi, Johanna Kindahl, Olga Krüssenberg, Andrea Larsson, Linnea Lindberg, Sebastian Lindén, Johan Lundborg, Lina Lundquist, Michael Marder, Mari Mattsson, Asier Mendizabal, Kayo Mpoyi, Kristina Nenzén, Christopher Robin Nordström, David Permén, Ebba Rost, Sonia Sagan, Ossian Söderqvist, Erik Thörnqvist, Aex Valijani, Andreas Widoff, Hedvig Wijkström, Sofia Zwahlen.
The term Ex-Futures was borrowed from the Spanish writer Miguel Unamuno who, a hundred years ago, used it to describe the discarded decisions at every juncture in our lives or in history. The concept was applied to a series of conversations, experiments, readings, and excursions led by Johanna Gustafsson Fürst and Asier Mendizabal.
What Are You Looking For? (prologue) is a descriptive text on how to make a sundial through an observing and seeking narrator. On the left side is a descprition of the work, not a part of the text, and on the spread is reoccuring images of craters from the work of Vladyslav Kamensky in the publication.
Petrosexuality
COPENHAGEN: Madeleine Andersson, 2022
With contributions by Unn Aurell Hansson, Kevin Pihlblad Bogle, Adam Varab, Imre Szeman, Sonia Sagan, Mari Mattsson, Valentin Malmgren, X, Annie Bergstedt, Richard Krantz, Pernille Nordentoft Tørslev & Ba Bladh.
The publication ‘Petrosexuality’ is a communal effort to think about and reflect upon the fossil fuel industry and the culture it generates.
COPENHAGEN: Madeleine Andersson, 2022
With contributions by Unn Aurell Hansson, Kevin Pihlblad Bogle, Adam Varab, Imre Szeman, Sonia Sagan, Mari Mattsson, Valentin Malmgren, X, Annie Bergstedt, Richard Krantz, Pernille Nordentoft Tørslev & Ba Bladh.
The publication ‘Petrosexuality’ is a communal effort to think about and reflect upon the fossil fuel industry and the culture it generates.
